Friday, January 15, 2010
John Mulaney - The Top Part
I put a comedy album on my best of 2009. Unprecedented? Absolutely. I saw this guy in 2008 when my friend had free tickets to a comedy club. It was hilarious and for a week my friend was convinced that he could do stand-up. This dude is just really funny and cool and, umm, "fun for the whole family?" I don't know, but if you want a good laugh check out John Mulaney.
Thursday, January 14, 2010
Passion Pit – Manners
My friend was opening for Passion Pit in what ended up being a sold out show (this was at least six months ago) and he put me on the list, which is always awesome. I invited this girl I knew and we met up and got a few drinks before the show and then headed over to the venue. She kept asking if I had tickets and I said no. Then she saw the sold out sign and started getting nervous, but I played it cool and was like - don't worry, baby, we'll get in. I tell the door guy I'm on the list and we're in and I look like a badass. The show's packed and mostly with young, cute girls. And that's pretty much all you need to know about this band. Cute girls like this band which means you will end up liking this band or at least pretending to like this band.
sounds like:
cut copy,
does it offend you yeah?,
MGMT,
Ratatat
Wednesday, January 13, 2010
From Monument to Masses – On Little Known Frequencies
From Monument to Masses is a political instrumental band and I know how that sounds - you should still check them out. This isn’t the boring kind of instrumental music, either. There’s just no room for vocals. They’ve got more in common with Rage Against the Machine than they do with, say, Explosions in the Sky or Mogwai. This is the greatest thing they have put out. It’s super ambitious and connects all the way.
sounds like:
at the drive-in,
from monument to masses,
RATM,
refused,
tristeza
Tuesday, January 5, 2010
Best of 2009
Yeah, yeah, yeah. It's January 5th, but the holidays are a busy time and plus there weren't that many good albums put out this year. But here it finally is - the Wooden Ruler Society's Best of 2009. Some of these I have talked about already. The rest I'll tell you about later.
Marrissa Nadler - Little Hells
From Monument to Masses - On Little Known Frequencies
Lightning Dust - Infinite Light
Molina & Johnson - Molina & Johnson
The Sound of Wonder! - Compilation
Pearl Jam - Backspacer
Tiny Vipers - Life on Earth
Woods - Songs of Shame
Passion Pit - Manners
John Mulaney - The Top Part
Dead Man's Bones - Dead Man's Bones
Yeah, I put a comedy album in there. I kept looking over all these other music blogs "best of's" because it felt like I was forgetting something, but the entire list becomes meaningless when Girls makes it into the top 10.
Marrissa Nadler - Little Hells
From Monument to Masses - On Little Known Frequencies
Lightning Dust - Infinite Light
Molina & Johnson - Molina & Johnson
The Sound of Wonder! - Compilation
Pearl Jam - Backspacer
Tiny Vipers - Life on Earth
Woods - Songs of Shame
Passion Pit - Manners
John Mulaney - The Top Part
Dead Man's Bones - Dead Man's Bones
Yeah, I put a comedy album in there. I kept looking over all these other music blogs "best of's" because it felt like I was forgetting something, but the entire list becomes meaningless when Girls makes it into the top 10.
Saturday, January 2, 2010
Volcano Choir - Unamped
I was really excited to be seeing a new album coming from Justin Vernon, the falsetto master of Bon Iver's For Emma for Ever Ago, and also being from good ol' WI was a plus too, because it gives kids like me hopes. High Hopes, them apple pie hopes. I had to listen to Unamped around 5 times before I could really write to you about it, and if you've listened to it as well, I hope you've put the much needed time into it, too. The first time I really gave it some attention, I was driving through some mountains strung out on some day time medicine, not the best time to be "digging" a new album, but when I drive I really listen. What ever. All I could think about was cartoons performing lewd acts in dark alley ways, and I liked it. But was also disturbed, quasi disturbed. And I was pretty sure that there was only really one song on the album as well, ISland I believe; the other "songs" mainly seemed, to me, like soundtrack music, but I love soundtrack music, and if you do too, another good listen is Omar Rodriguez-Lopez' A Manual Dexterity: Soundtrack Vol. One, but anyways, if you're going into this thing looking for this album and group to sound anything like Bon Iver, you'll be disappointed, but isn't that what a good artist is meant to do?Not to disappoint, but to switch it up? Take the Beatles, for example, many of their albums didn't "go" with their previous ones, they kept things a-changing. And granted this is a different group, I believe they are going in the right direction. The other four or so times I listened to it, I found myself enjoying it more and more. I won't lie, I had mixed feelings for this at first, but that's why you have to listen to it a couple times, because I did go into it thinking it might come out a little something like For Emma... and although it didn't, I grew to like the album as something almost entirely different. I guess what I'm really trying to say is listen to it! And if you've already done so, listen to it some more. I now kill zombies to this album, and I'd like to think it helps me perform better, but you be the judge of my zombie slaying skills.
sounds like:
A Manual Dexterity: Soundtrack Vol. One,
bon iver,
Justin Vernon,
Volcano Choir
Tuesday, December 22, 2009
Gary War - Horribles Parade
I go back & forth on liking this record. At times, it's beautiful. At times, so annoying! I have this soft spot for people who sit around, stoned out of their minds, in their rooms making music. But this record is just going too far. Yeah it's fine to get a drum machine, a couple of synths, a crappy guitar, and some pedals & record what you want. But when you just echo & reverb the fuck out of shit it doesn't add to the music. Especially when the whole record uses these effects. I get it, that's the schtick. Just write me a real god damn song and prove that I should be interested in your music. Anyways this shit is totally jacking on Blank Dogs (coincidentally on the same label?)
My hope for 2k10 is no more of this "finding Myspace bands who use too much reverb with 5 friends and then not telling anyone so I can sign them to my label" in the 2k9. F that.
My hope for 2k10 is no more of this "finding Myspace bands who use too much reverb with 5 friends and then not telling anyone so I can sign them to my label" in the 2k9. F that.
Saturday, December 12, 2009
Eddie Vedder – Into the Wild
The lyrics on Backspacer are probably the weakest of any Pearl Jam record and I suspect that Eddie used up all his best material on his debut solo album/soundtrack. He tackles some pretty complex issues (as does the movie, book) and does it beautifully. It’s stripped down, but never sounds like Pearl Jam Unplugged.
Friday, December 11, 2009
Ornette Coleman – The Shape of Jazz to Come
The only jazz record you need to own.
sounds like:
jazz,
let's jazz baby,
miles davis like what,
sun ra
Thursday, December 10, 2009
The Sounds – Crossing the Rubicon
I really wanted to like this album. I love The Sounds. I love their unbelievably hot lead singer (mmm, Maja) and let’s not overlook her incredible voice. She’s definitely my favorite female vocalist. But, and I hate to say it, this album is lacking and it’s not even The Sounds fault. More than anything it’s the piss poor production that takes away from the album. At first I thought I had gotten a bad copy because the drums sound shitty and distorted and overly compressed. Furthermore, no album made after 1988 should have reverse reverb on it, much less on the vocals where it ends up taking away rather than adding anything. Some of the songs are alright and almost catchy, but you end up wanted them to be re-recorded.
sounds like:
beats,
hipsters,
synths,
the faint,
the sounds
Tuesday, December 1, 2009
One Day as a Lion - One Day as a Lion
Did you think a band that features the drummer from mars volta and the singer from Rage Against the Machine wouldn’t be amazing? Oh. Well, it’s actually really awesome. Zach plays a fuzzy distorted synth keyboard and sings while the drummer lays down the best groove since James Brown.
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